Herman and Chomsky’s Propaganda Model offers an explanation of the processes that are involved with the production of news media. In the essay, they describe the mechanism by which mass media messages pass through a successive series of filters before they ever reach the public. In other words, the content that audiences see on Television … Continue reading A Propaganda Model
I've been passively gathering data from 4chan's /pol/ board to keep tabs on the "Qanon" conspiracy, and the communities that were promoting it. I had started out with a "set it and forget it" sort of a deal for my 4chan /pol/ scraper. The problem is, though, I set it and the I forgot it. Read on about some of the challenges of studying online communities and ephemeral content...
Talking about the Holocaust is incredibly difficult to do, but in my opinion is an important undertaking. Remembering the truly horrific acts committed by human beings, against other human beings, may be an important step in making sure that such things never happen again. But how do you describe things that are indescribable? How do … Continue reading Night and Fog (1955)
Within broad discussions of media texts, issues of gender and power relationships are frequently considered. However, less frequent, but equally as important, is the issue of race. bell hooks’ “The Oppositional Gaze: Black Female Spectators” and Hye Seung Chung’s “The Audience Who Knew Too Much: Oriental Masquerade and Ethnic Recognition among Asian Americans” both directly … Continue reading bell hooks, Hye Sung Chung, and Stuart Hall
Just a few days ago, Nike unveiled the latest iteration of their "Just Do It" campaign. Over the course of the 2ish minute advertisement, multiple inspiring stories are shared–and dare the audience to set lofty goals, and dream ambitious dreams. The final voiceover at the end of the clip speaks directly and states, "don't ask … Continue reading Just Meme It
This week’s readings center around the notion of the spectator, and the process by which the spectator identifies with the characters that appear on the film screen. Much like Baudry’s work (and to the chagrin of Carroll), both Metz and Mulvey utilize psychoanalytic film theory to examine the unique relationship between spectator and film. Metz … Continue reading Laura Mulvey and Christian Metz
All film is political. All media is ideological. The texts that we read, watch, and otherwise consume all affect us in specific ways. These are general platitudes that seem to permeate all aspects of media theory. And this is no exception for scholars who were working in the mid-twentieth century, trying to make sense of … Continue reading Baudry’s Aparatus and Adorno’s Culture Industry